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Daniel Day-Lewis stitches together chilly 'Phantom Thread'

8 years 9 months ago
If "Phantom Thread" truly does represent Daniel Day-Lewis' announced swan-song from acting, he heads into retirement on a high note in terms of his performance. The movie itself -- reuniting the star and director Paul Thomas Anderson -- is a sumptuous but chilly affair, meticulously stitched together, but intriguing without being emotionally involving.

Netflix's 'Bright' casts Will Smith in dim thriller

8 years 9 months ago
"Bright" is a bloated, expensive mess, a Netflix movie with blockbuster aspirations and faerie-sized brains. Loud, derivative and thoroughly unexciting, the streaming service has thrown money at this Will Smith vehicle, and merely bought itself a whole lot of embarrassment.

Aaron Sorkin brings write stuff to gambling drama 'Molly's Game'

8 years 9 months ago
Aaron Sorkin wrote "Moneyball," which invites comparisons to "Molly's Game," the entertaining new poker-related drama that he wrote and also directed. The more apt benchmark, however, would be "Goodfellas," inasmuch as this fact-based movie, starring Jessica Chastain, provides a heavily narrated dissection of a criminal enterprise, from its build-up to its gradual unraveling.

'The Post' delivers, putting journalism in the spotlight

8 years 9 months ago
"The Post" was made for this moment, in more ways than one. Not only does Steven Spielberg's crisp retelling of the Pentagon Papers story call attention to journalism's highest calling, but Washington Post publisher Katharine Graham's heroic stand -- having been thrust into that position -- is a stirring portrait of courage during feminism's pre-Roe v. Wade era.

Christopher Plummer can't quite fix 'All the Money in the World'

8 years 9 months ago
"All the Money in the World" certainly earns points -- and merits curiosity -- for its sheer logistics, having replaced Kevin Spacey at the eleventh hour in the wake of sexual-misconduct allegations. Yet Christopher Plummer's admirable performance and the high degree of difficulty aren't enough to make director Ridley Scott's movie about the famous 1973 kidnapping feel as if it delivers a wholly satisfactory payoff.
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